Jordan is a composer/playwright, based in London. He is currently working on several projects, including an adaption of a major feature film, on which he is working with collaborater, Ray Rackham. Aside from writing, Jordan is an award winning musical director & orchestrator, having trained at the Royal Academy Of Music, as a Sir Elton John Scholar. He is also a proud alumnus of the National Youth Music Theatre and an Associate of the London College Of Music.
Most recently, Jordan won the 2018 BroadwayWorld UK Award for Best Musical Direction, for his work on the world premiere production of The Assassination Of Katie Hopkins, seeing off competition from Hamilton and Fun Home. The production itself has recently won the UK Theatre Award for Best Musical Production.
His musical direction & orchestration credits include:
Upcoming engagements: Anything Goes (NYMT @ The Other Palace, Musical Director); the UK Premiere of Dave Malloy's Preludes (Southwark Playhouse, Musical Director).
As musical director: Amour (Charing Cross - currently nominated, Off West End Award for Best Musical Direction); the UK première of Michael John LaChuisa’s Queen Of The Mist (Brockley Jack Theatre - currently nominated, Off West End Award for Best Musical Direction); the world premiere of The Assassination Of Katie Hopkins (Theatr Clwyd - Winner, BroadwayWorld UK Award for Best Musical Direction; Winner, Best Musical Production in the UK Theatre Awards); Some Lovers (The Other Palace), The Bubbly Black Girl Sheds Her Chameleon Skin (Theatre Royal Stratford East); Ragtime (Charing Cross - Winner, Off West End Award for Best Musical Direction & Best Musical Production); Through The Mill (Southwark Playhouse); The Addams Family (Chichester University); Sweet Charity (Urdang Academy); Spring Awakening (British Theatre Academy); the UK première of Amour (Royal Academy Of Music - nominated, BroadwayWorld Award for Best Fringe/Regional Musical Direction); The Navigator (Industry Presentation, Phoenix Theatre); Desperate Measures (Jermyn Street); The 25th Annual Putnam County Spelling Bee (Guildford School Of Acting); Next To Normal (Royal Academy Of Music); Grand Hotel, Once On This Island (Margaret Howard Theatre College, UK & Malta Tour); Joseph And The Amazing Technicolour Dreamcoat (Cambridge Summer Music Festival); The Piper Of Hamelin (NYMT 2016 & John Rutter@70, Cambridge Summer Music Festival); Gulliver’s Travels (Workshop, RAM). Guest Conductor of the London Musical Theatre Orchestra.
As orchestrator: Amour (Charing Cross/Royal Academy Of Music); Some Lovers (The Other Palace); The Bubbly Black Girl Sheds Her Chameleon Skin (Theatre Royal Stratford East); Sweet Charity (Urdang Academy); Co-orchestrator for the London Musical Theatre Orchestra.
Recordings: Original London Cast Recording of Queen Of The Mist (Musical Supervisor/Conductor)
Film: Rocketman (Children’s Casting MD/Musical Assistance/Featured Cameo)
Jordan made his cabaret debut as part of the My Myra Series at Bishopsgate Institute, with his cabaret My Myra: Songs I Wish I Had Written.
2010 - present
2010 - present
"I have worked with Jordan several times, most notably as Musical Director on Ragtime at Charing Cross Theatre. Ours was an actor musician production, which required all the players to be off book. Jordan memorised the entire score and played it beautifully, sometimes with each hand on a different piano and while being swung around the stage on moving platforms! It was a sight to behold. He’s also the nicest, most dedicated man one could ask to work with."
Producer & Casting Director
"I loved working with Jordan. His energy and enthusiasm are infectious, command and sheer knowledge a joy to share in. Plus he loves Judy Garland. Would work with him again in a heartbeat."
West End Director
"Jordan is an extraordinarily talented and brilliant MD, a superlative musician and generous collaborator. I loved working with him, and will do so again at every opportunity."
Artistic Director of Paines Plough
"Working with Jordan on The Assassination of Katie Hopkins was a real pleasure. It was my first experience handing over a large-scale work of my own to an MD and I felt in very safe hands; Jordan really understood the musical language of the (somewhat complex!) piece and was an invaluable part of its development and performance."